shiozaki taishin - profile/log@@shiozaki.t.f5df (a) m.isct.ac.jp     |@ architect, atelierco @ @@www.atelierco.net     |@ assoc.professor, shiozaki laboratory, sciencetokyo @ @@http://shiozaki.main.jp/lab      |@     @http://shiozaki.hatenablog.jp@ @@ @@

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photo credit      @tom tit toque (2024): chika kato, gottingam, jumpei suzuki    |@ pithouse in kikuna (2021): jumpei suzuki     |@ house in kamiikebukuro (2021): jumpei suzuki, chika kato     |@ gohira house (2020): jumpei suzuki     |@ shimashima (2019): ioto yamaguchi    |@ brasshouse (2019): jumpei suzuki     |@ 100 year lasting earthern floor (2018): jumpei suzuki     |@ la cienega and cafe, patapata, wakuwaku (2018): ioto yamaguchi, mayumi ito    |@ four column house (2018): jumpei suzuki    |@ pavilion r (2015) : jumpei suzuki     |@ bookstand (2014): shiozaki taishin   |@ table (2014): shiozaki taishin   |@ longhouse (2014): jumpei suzuki, ioto yamaguchi, shiozaki taishin    |@ house on the hill (2011): takashi shikasho, shintaro nogami, saki maeda, shiozaki taishin          |@ 








works and projects
2025@project s <shop & hotel>
2025@tom tit toque, tokyo, japan <residential>
2024@twins of house k,  japan <unbuilt, residential>
2024@ project h, tokyo, japan <residential>
2024@ project k, kanagawa, japan <residential>
2023@ project e, kanagawa, japan <public>
2023@tokyotech w6, tokyo, japan <public>
2023@reststop yochien, chiba, japan <public>
2022@project o, tokyo, japan <residential>
2021@pithouse in kikuna, kanagawa, japan <renovation of house>   
2021@house in kamiikebukuro, tokyo, japan <residential>                 
2020@gohira house, tokyo, japan <residential>
2019@shimashima <furniture>
2019@ project T, Japan <Residential>
2018@house in akiyoshidai project, yamaguchi, japan <renovation of house>
2018@ project k, gunma, japan <renovation of house>
2018@house in nikko project, tochigi, japan <residential>
2018@brass house, tokyo, japan <residential>
2018@100-Year-Lasting Earthen Floor, Kanagawa, Japan <Renovation of House>
2018@La Cienega and Cafe <commercial interior and furniture>
2018@four column house, toshima-ku tokyo, japan <residential>
2018@pithouse in kikuna project <renovation of house>
2017@proposal project kiso<public>
2017@project house in oyamadai <residential>
2017@proposal project iyo <residential>
2017@proposal project parking area <Public>
2014 @ book stand, Power Station of Art, Shanghai, China <Furniture>
2014@ table, Power Station of Art, Shanghai, China <Furniture>
2013@longhouse, suzaka-shi nagano, japan <residential>
2013 @beez ginza<Interior>
2012@house on the hill, kanagawa, Japan <Residential>
2012@house on the corner, tokyo <Residential>
2010@History of the Earth Exhibition Room, Tokyo Tech Museum, Good Design Award 2010 <public>
2010@kazuo shinohara exhibition room, tokyo tech museum, good design award 2010
<public>



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academic papers (peer reviewed papers)
Taishin Shiozaki: Framework of Terminology of Contemporary Japanese Architects, Tokyo Tech, 2008
Kohei Iwashita, Taishin Shiozaki: “Œ‹ž‚ÌŽÊ^•t‚«“¹ˆÄ“à‚É‚¨‚¯‚é“sŽs‹óŠÔƒCƒ[ƒWA“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WAVol.90ANo. 837App.  2025”N11ŒŽ
YU ZiliangATaishin SHIOZAKIFTHE OVERLAPPING BETWEEN INSIDE AND OUTSIDE BY ARRANGEME  NT OF LINEAR ELEMENTS IN CONTEMPORARY JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER 1970(THE OVERLAPPING BETWEEN INSIDE AND OUTSIDE BY ARRANGEMENT OF LINEAR ELEMENTS IN CONTEMPORARY JAPANESEA“ú–{Œš’zŠw‰ïŒv‰æ Œn˜_•¶WAVol. 88ANo. 808A pp. 2018-2028A2023”N6ŒŽ
Hirotaka SUGISAKIATaishin SHIOZAKIFŒ» ‘ãZ‘îì•i‚É‚¨‚¯‚éFʂ̎QÆŠÖŒW‚Æ”zFˆÓ}A“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WAVol. 88ANo. 808A pp. 2029-2038A2023”N6ŒŽ
Volodymyr DEREZNICHENKO, Taishin SHIOZAKI: RENOVATION PROJECT OF ONE CAPSULE IN NAKAGIN CAPSULE TOWER(RENOVATION PROJECT OF ONE CAPSULE IN NAKAGIN CAPSULE TOWER)A“ú–{Œš’zŠw‰ï‹Zp•ñWAvol. 69, pp.1015-1019, 2022.6
Volodymyr DEREZNICHENKO, Taishin SHIOZAKI: CONCEPT AND PHYSICAL CHARACTERISTICS OF CAPSULE ARCHITECTURE
, J. Archit. Plann., AIJ, Vol. 86, No. 784, 1783-1791, 2021.6.
Takashi SHIKASHO, Tenshin YOKOYAMA, Taishin SHIOZAKI, Shin-ichi OKUYAMA: DESIGN THEME IN HOUSES WITH ROOF GARDEN BY CONTEMPORARY JAPANESE ARCHITECTS, J.Archit. Plann., AIJ, Vol.80, No.718, pp.2833-2841, 2015.
Taishin SHIOZAKI, Asami NAITO, Takashi SHIKASHO, Shin-ichi OKUYAMA: A STUDY ON THE FRAMEWORK OF ARCHITECTURAL THOUGHTS WITH THE WORD"BOX" AS A DESIGN THEME OF CONTEMPORARY JAPANESE HOUSES, J.Archit. Plann., AIJ, Vol.80, No.717, pp.2503-2511, 2015.11
Yohei HASEGAWA, Takashi SHIKASHO, Taishin SHIOZAKI, Shin-ichi OKUYAMA: Relationship Between Structure and Ceiling Surfaces of Large Span Buildings by Contemporary Japanese Architects, J.Archit. Plann., AIJ, Vol.80, No.716, pp.2211-2219, 2015.10
Koichi ENDO, Taishin SHIOZAKI, Shin-ichi OKUYAMA: Relationship Between The Boundary of Site and the Outline of Plan in Contemporary Japanese Houses Located on the Irregular Shaped Site -- A Study on the Correspondence of Architecture to the Site, J.Archit. Plann., AIJ, Vol.80, No.709, pp579-589, 2015.3
Ryuichi INAMOCHI, Ayako UEHARA, Taishin SHIOZAKI: Urban Space as Determined by the Complexity of Multi-layered Spaces Surrounding Station Buildings in Central Tokyo, J.Archit. Plann., AIJ, Vol.78, No.694, pp2499-2506, 2013.12
Takashi SHIKASHO, Taishin SHIOZAKI, Shin-ichi OKUYAMA: Design Theme in Houses with Piloti by Contemporary Japanese Architects, J.Archit. Plann., AIJ, Vol.78, No.684, pp355-364, 2013.2
Takashi SHIKASHO, Taishin SHIOZAKI, Shin-ichi OKUYAMA: Design Theme in Houses with Unified Floor Plan by Contemporary Japanese Architects -- A study on contemporary design theories of houses with the spatial theme of Modernist Architecture, J.Archit. Plann., AIJ, Vol.77, No.677, pp1617-1624, 2012.7
Taishin SHIOZAKI, Shin-ichi OKUYAMA: Original Phrases Including eSpacef in Design Theories by Contemporary Japanese Architects -- A study on the context and the form of the thoughts on architectural design by contrast with 'space', J.Archit. Plann., AIJ, Vol.73, No.633, pp2333-2340, 2008.11
Taishin SHIOZAKI, Yoichiro YAMAMOTO, Shin-ichi OKUYAMAFDesign Concept of Scale in Design Theories by Contemporary Japanese Architects -- A study on the context and the form of architectural thoughts with a point of view of scale, J.Archit. Plann., AIJ, Vol.75, No.651, pp1087-1095, 2010.5
Taishin SHIOZAKI, Toshiaki NAKAJIMA, Shin-ichi OKUYAMAFGeometrical Figures in Design Theories by Contemporary Japanese Architects -- A study on the context and the form of architectural thoughts with geometrical figures, J.Archit. Plann., AIJ, No.615, pp53-60, 2007.5
Taishin SHIOZAKI, Shin-ichi OKUYAMAFDual Concepts in Design Theories by Contemporary Japanese Architects -- A study on the context and form of architectural thoughts with the contrast, J.Archit. Plann., AIJ, No.610, pp79-86, 2006.12
Daisuke TANIKAWA, Taishin SHIOZAKI, Shin-ichi OKUYAMAFThoughts on City from the point of view of the Exterior Expression of Building in Design Theories on Commercial Buildings in gSHINKENCHIKUh after World War, J.Archit. Plann., AIJ, No.600, pp57-64, 2006.2





publications, articles, and lectures
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¸“ǘ_•¶„«2021. 6  ƒJƒvƒZƒ‹Œš’z‚É‚¨‚¯‚éÝŒvŽå‘è‚ÆŽÀ‘Ì“I“Á’¥iƒ”ƒHƒƒfƒB[ƒ~ƒ‹EƒfƒŒƒY ƒjƒ`ƒFƒ“ƒRA‰–葾Lj“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶W ‘æ86Šª ‘æ784†, 1783-1791C2021”N6ŒŽ^Volodymyr DEREZNICHENKO, Taishin SHIOZAKI: CONCEPT AND PHYSICAL CHARACTERISTICS OF CAPSULE ARCHITECTURE, J. Archit. Plann., AIJ, Vol. 86, No. 784, 1783-1791, 2021.6.
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@ƒvƒƒ|„«2021. 4  ‹˜“ì’¬“sŽsŒð—¬Ž{ÝŽü•Ó®”õÝŒv‹Æ–±ˆÏ‘õƒvƒƒ|[ƒUƒ‹@Å—DG iˆÓ ÝŒvF‰““¡Ž•FŒš’zŒ¤‹†Š{ƒAƒgƒŠƒGƒR{“Œ‹žH‹Æ‘åŠw‰–葾LŒ¤‹†Žº{’†‘º‹`lj
@@Ž·•M„«2021. 3  SHIOZAKI Taishin: 'Sloping Ground: The Styles of Shinohara at Tanikawa House and House in Tateshina' "KAZUO SHINOHARA TRAVERSINGTHE HOUSE AND THE CITY" pp. 299-309, Lars Muller Publishers, Harvard University Graduate School of Design, 2021
@@Ž·•M„«2021. 3  Seng Kuan, Shiozaki Taishin, and Kobayashi Saeco: 'Interview with Nomiyama Gyoji' "KAZUO SHINOHARA TRAVERSINGTHE HOUSE AND THE CITY" pp. 119-123, Lars Muller Publishers, Harvard University Graduate School of Design, 2021
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ƒŒƒNƒ`ƒƒ„«2021. 2. 22 @Taishin Shiozaki, Saeco Kobayashi, ateliercoFusee allvƒJƒiƒ_Eƒgƒƒ“ƒg‘åŠwAfala studio‚ł̃QƒXƒgƒŒƒNƒ`ƒƒ[, guest lecture at University of Toront, fala studio.
 Z‘îvH„«2021. 2sã ’r‘Ü‚ÌZ‘ît“Œ ‹ž“s—û”n‹æ^wZ‘î“ÁWx2021 ”N7ŒŽ†, pp.78-83
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@ƒVƒ“ƒ|„«2020. 11. 26@ƒXƒC ƒXEƒ‹ƒcƒFƒ‹ƒ“‘åŠw˜A‘±ƒŒƒNƒ`ƒƒ[ƒVƒŠ[ƒYqImmaterialityrTibor Joanelly, Taishin Shiozaki, @Lucerne University https://www.architekturagenda.ch/
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2011 w2G Kazuo Shinohara Casas/Housesxi‹¤•ÒFShin-ichi Okuyama, David B.Stewart, Taishin ShiozakijtrGGiSpainj, No.58/59, 2011
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CViEnglishj„«@
1976 Born in Japan / 2000 Graduated from Tokyo Tech / 2001-02 TUDelft, The Netherlands / 2003 Graduated from Tokyo Tech Graduate School / 2009 Dr. (Eng.) at Tokyo Tech / 2015- Established Atelierco with Saeco KOBAYASHI/ 2016- Assoc. Prof. at Tokyo Tech / Awards: SD Review 2018, Good Design Award 2010 / Selected Architectural Works qHouse in Komagomer2018,qHouse in Otsukar2018, qLa cienega and Cafer2018,qLonghouse in Suzakar2013,qhouse on the hillr2012, qhouse on the cornerr2012, etc. / Furniture works:qpata patar, qwaku wakur, etc. / Publications: gResponse toeDrifting Modernismfh(co-author, 2015, Sayusha) , gJA93 Kazuo Shinoharah(coeditor, 2014, Shinkenchiku-sha), gDictionary for Architectural Theoriesh(co-author, 2008, JIA)
CViEnglishj„«@Architect, running atelierco in Tokyo with Saeco Kobayashi. Associate Professor at ScienceTokyo (TokyoTech). Born in 1976, graduated from TokyoTech (Dr.Eng. 2009). 2001-02 TUDelft, The Netherlands. Co-editing "JA93 Kazuo Shinoharah, g2G Kazuo Shinoharah etc. Co-curating exhibition gModernNext Kazuo Shinoharah at Harvard GSD, 2019. Awards: Japan Wood Design Award 2020, SD Review 2018


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—] ˆ²—ÀA‰–è ‘¾LFTHE ADDITIONAL ELEMENTS BREAKING THE INDOOR-OUTDOOR ENCLOSURE IN CONTEMPORARY JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER 1970A“ú–{Œš’zŠw‰ïŒv‰æ Œn˜_•¶WAVol.  ANo. 828A pp. 326-337A2025”N2ŒŽ
—] ˆ²—ÀA‰–è ‘¾LFTHE OVERLAPPING BETWEEN INSIDE AND OUTSIDE BY ARRANGEMENT OF LINEAR ELEMENTS IN CONTEMPORARY JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER 1970A“ú–{Œš’zŠw‰ïŒv‰æ Œn˜_•¶WAVol. 88ANo. 808A pp. 2018-2028A2023”N6ŒŽ
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ƒ”ƒHƒƒfƒB[ƒ~ƒ‹EƒfƒŒƒYƒjƒ`ƒFƒ“ƒRA™èL‹óA‰–葾LFƒJƒvƒZƒ‹Œš’z‚̕ω»‚ÉŠÖ‚·‚éˆÓ}‚ÆƒŠƒmƒx[ƒVƒ‡ƒ“‚ÌŽÀ‘ÔiCONCEPT OF CHANGEABILITY OF CAPSULE ARCHITECTURE AND ACTUAL RENOVATIONjA“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WA‘æ87ŠªA‘æ798†App. 1576-1583A2022”N8ŒŽ
Volodymyr DEREZNICHENKO, Taishin SHIOZAKIF
RENOVATION PROJECT OF ONE CAPSULE IN NAKAGIN CAPSULE TOWERi’†‹âƒJƒvƒZƒ‹ƒ^ƒ[ƒrƒ‹‚̃JƒvƒZƒ‹EƒŠƒmƒx[ƒVƒ‡ƒ“Ž–—ájAIJ J. Technol. Des. Vol. 28, No.69, 1015-1019, Jun., 2022i“ú–{Œš’zŠw‰ï‹Zp•ñWA‘æ28ŠªA‘æ69 †App. 1015-1019A2022 ”N6ŒŽj
Volodymyr DEREZNICHENKO, Taishin SHIOZAKIFCONCEPT AND PHYSICAL CHARACTERISTICS OF CAPSULE ARCHITECTUREiƒJ ƒvƒZƒ‹Œš’z‚É‚¨‚¯‚éÝŒvŽå‘è‚ÆŽÀ‘Ì“I“Á’¥jJ. Archit. Plann., AIJ, Vol. 86, No. 784, 1783-1791, Jun., 2021i“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶W ‘æ86Šª ‘æ784†, 1783-1791C2021”N6ŒŽj
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“Œ‹ž‚ð•‘‘ä‚Æ‚µ‚½—¬s‰Ì‚̉̎Œ‚É‚¨‚¯‚é”wŒi•`ŽÊ‚Æ“oê—v‘f„Ÿ„Ÿ—¬s‰Ì‚ɂ݂é“sŽsƒCƒ[ƒWŒ`¬‚ÉŠÖ‚·‚錤‹†@‚»‚Ì‚Pi‘׉i–ƒŠóA‘O“c çAŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2Ap.127-128A2013”N8ŒŽ
“Œ‹ž‚ð•‘‘ä‚Æ‚µ‚½—¬s‰Ì‚̉̎Œ‚ɂ݂é“sŽs‚Ì‹óŠÔ“IƒCƒ[ƒW„Ÿ„Ÿ—¬s‰Ì‚ɂ݂é“sŽsƒCƒ[ƒWŒ`¬‚ÉŠÖ‚·‚錤‹†i‘׉i–ƒŠóA‘O“c çAŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.129-130A2013”N8ŒŽ
“Œ‹žŒ—‚̉w‘O‚Ì’†S—̈æ‚É‚¨‚¯‚éƒyƒfƒXƒgƒŠƒAƒ“ƒfƒbƒL‚̗̈æ“I«Ši„Ÿ„ŸŒ»‘ã“sŽs‹óŠÔ‚É‚¨‚¯‚é—̈æ‚ÌŠg’£«‚ÉŠÖ‚·‚錤‹†i1ji—Ñ —T“ñA—é–Ø~•½AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.161-162A2013”N8ŒŽ
“Œ‹žŒ—‚É‚¨‚¯‚éƒyƒfƒXƒgƒŠƒAƒ“ƒfƒbƒL‚ð’†S‚Æ‚µ‚½‰w‘O‹óŠÔ‚̗̈æ“IŠg’£«„Ÿ„ŸŒ»‘ã“sŽs‹óŠÔ‚É‚¨‚¯‚é—̈æ‚ÌŠg’£«‚ÉŠÖ‚·‚錤‹†i2ji—Ñ —T“ñA—é–Ø~•½AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.163-164A2013”N8ŒŽ
”Ž•¨ŠÙŒš’z‚É‚¨‚¯‚錚’z‰Æ‚ÌŒ¾à‚ɂ݂é˜A½‚·‚é‹óŠÔ‚Ì–§“xi‰œŽRMˆêA‹g’r—tŽqA‰–葾LA‘å›Ô—z“¿AŒŽ•àA—é–Ø~•½jA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF -2App.111-112A2013”N8ŒŽ
ŠCŠOŒš’zì•i‚ÌÝŒv˜_‚É‚¨‚¯‚錻‘ã“ú–{‚ÌŒš’z‰Æ‚ÌÝŒvª‹’„Ÿ„ŸƒOƒ[ƒoƒ‹ŽÐ‰ï‚É‚¨‚¯‚錚’z‰Æ‚ÌÝŒvŽp¨‚ÉŠÖ‚·‚錤‹†i1jiŠÛŽq—ElA‘å›Ô—z“¿AŽlƒ–Š‚ ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.107-108A2013”N8ŒŽ
ŠCŠOŒš’zì•i‚ÌÝŒvª‹’‚É‚¨‚¯‚éŽQƂ̑ԓx„Ÿ„ŸƒOƒ[ƒoƒ‹ŽÐ‰ï‚É‚¨‚¯‚錚’z‰Æ‚ÌÝŒvŽp¨‚ÉŠÖ‚·‚錤‹†i2jiŠÛŽq—ElA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LA ‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.109-110A2013”N8ŒŽ
‘å‹óŠÔŒš’z‚Ì•¢‚¢‚ÌÝ’u‚ÉŠÖ‚·‚錚’z‰Æ‚ÌÝŒvˆÓ}„Ÿ„ŸŒ»‘ã“ú–{‚ÌŒš’z‰Æ‚É‚æ‚é‘å‹óŠÔŒš’z‚ÌÝŒv˜_‚ÉŠÖ‚·‚錤‹†i1ji’†‘º‹`lAŽlƒ–Š‚ŽuA‘å›Ô—z“¿A‰– 葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.99-100A2013”N8ŒŽ
‘å‹óŠÔŒš’z‚Ì•¢‚¢‚ÌÝ’uŒ`Ž®‚ÆÝŒvˆÓ}„Ÿ„ŸŒ»‘ã“ú–{‚ÌŒš’z‰Æ‚É‚æ‚é‘å‹óŠÔŒš’z‚ÌÝŒv˜_‚ÉŠÖ‚·‚錤‹†i2ji’†‘º‹`lAŽlƒ–Š‚ŽuA‘å›Ô—z“¿A‰–葾LA‰œ ŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.101-102A2013”N8ŒŽ
¶–½‘Ì‚ð‘èÞ‚Æ‚µ‚½ÝŒv˜_‚ɂ݂éŽQƂ̓à—e„Ÿ„ŸŒš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚é—Þ„“IŽvl‚ÉŠÖ‚·‚錤‹† (1)i‘å‹v’׳‹PA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.619-620A2012”N9ŒŽ
¶–½‘Ì‚ðŽQÆ‚µ‚½ÝŒv˜_‚ɂ݂錚’z“I‘€ì‚ÌŒ`Ž®„Ÿ„ŸŒš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚é—Þ„“IŽvl‚ÉŠÖ‚·‚錤‹† (2)i‘å‹v’׳‹PA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.621-622A2012”N9ŒŽ
u¬]ŒËv‚ðŒf‚°‚éŠX‚ÌŠÏŒõƒpƒ“ƒtƒŒƒbƒg‚ɂ݂ç‚ê‚錾Œê•\Œ»„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹† (3)iŒŽ •àA‰–葾LAŽlƒ–Š‚ŽuA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.605-606A2012”N9ŒŽ
ŠÏŒõƒpƒ“ƒtƒŒƒbƒg‚ɂ݂éu¬]ŒËv‚ðŒf‚°‚éŠX‚̃Cƒ[ƒW„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹† (4)iŒŽ •àA‰–葾LAŽlƒ–Š‚ŽuA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.607-608A2012”N9ŒŽ
’nˆæŒð’ʃVƒXƒeƒ€‚̘HüƒKƒCƒhƒ}ƒbƒv‚ɂ݂铌‹ž‚Ì‹óŠÔ\‘¢i–kàV —ÈAŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.513-514A2012”N9ŒŽ
‰¼‘z‹óŠÔ‚ð‘èÞ‚Æ‚µ‚½SF‰f‰æ‚ɂ݂éî•ñ‰»ŽÐ‰ï‚É‚¨‚¯‚ég‘Ì‘œi—é–Ø~•½A‘å›Ô—z“¿A‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2A pp.611-612A2012”N9ŒŽ
Z‘î“àŠÏŽÊ^‚É‚¨‚¯‚é•Ç–Ê‚Ì\¬‚©‚ç‚Ý‚½‹óŠÔ‚̉œs«„Ÿ„ŸŒš’z‹óŠÔ‚̃Cƒ[ƒWŒ`¬‚ÉŠÖ‚í‚é˜g‘g‚ÌŒ¤‹† (2)iŠÛŽq—ElA‰œŽRMˆêA‰–葾LAŽlƒ–Š‚ŽujA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.589-590A2012”N9ŒŽ
 Œ»‘ã“ú–{‚ÌŒš’z‰Æ‚ÌŒ¾à‚ɂ݂ç‚ê‚éu”’v‚Æ‚¢‚¤Œ¾—t‚ɓЉe‚³‚ꂽŒš’z“IŽvli‘å’Ë —DA‰œŽRMˆêA‰–葾LAŽlƒ–Š‚ŽuA‘å›Ô—z“¿jA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.603-604A2012”N9ŒŽ
Œ»‘ã“ú–{‚ÌŒš’z‰Æ‚É‚æ‚éƒCƒ“ƒXƒ^ƒŒ[ƒVƒ‡ƒ“‚Ì‘nìˆÓ‹`i‘º•” —ÛA‰œŽRMˆêA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.601-602A2012”N9ŒŽ
ƒEƒFƒuƒTƒCƒg‚ɂ݂ç‚ê‚é‹âÀ¤“XŠX‚̉¿’l\‘¢„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹† 2i’†ŽR—YˆêAˆî—p—²ˆêA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.99-100A2011”N7ŒŽ
‹âÀ¤“XŠX‚̃EƒFƒuƒTƒCƒg‚ɂ݂ç‚ê‚錾Œê•\Œ»„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹† 1i’†ŽR—YˆêAˆî—p—²ˆêA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.97-98A2011”N7ŒŽ
ŠX•à‚«ƒKƒCƒhƒuƒbƒN‚ÌŽUôƒ‹[ƒgƒ}ƒbƒv‚ɂ݂铌‹ž‚̃Cƒ[ƒW\‘¢i‰œŽRMˆêA‹àX–ƒ‹IA ‰–葾LAˆî—p—²ˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.95-96A2011”N7ŒŽ
ˆÍ‚܂ꂽŠO•”‹óŠÔ‚ð‚à‚¤‹ÆŒš’zì•i‚ÌÝŒv˜_‚É‚¨‚¯‚é“sŽsƒCƒ[ƒWi‹à —DŠóAˆî—p—²ˆêA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.93-94A2011”N7ŒŽ
‘å‹óŠÔŒš’z‚Ì•¢‚¢‚ɑ΂·‚錚’z‰Æ‚̃AƒiƒƒW[•\Œ»i‰œŽRMˆêA’†‘º‹`lA‰–葾LA‘å›Ô—z“¿jA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.91-92A 2011”N7ŒŽ
Œö‹¤Œš’z‚ÌZ–¯ŽQ‰Á‚ÉŠÖ‚·‚錚’z‰Æ‚Ì”Fޝ‚ƎЉï“I󋵄Ÿ„ŸŒš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚錚’z‚̎Љ輸Ɋւ·‚錤‹† 4iŽR–{Ë‘¾AŽlƒ–Š ‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.89-90A2011”N7ŒŽ
Œö‹¤Œš’z‚ÌÝŒv˜_‚É‚¨‚¯‚éZ–¯ŽQ‰Á‚ÉŠÖ‚·‚錚’z‰Æ‚Ì”Fޝ„Ÿ„ŸŒš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚錚’z‚̎Љ輸Ɋւ·‚錤‹† 3iŽR–{Ë‘¾AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2Ap87-88A2011”N7ŒŽ
Œ»‘ã“ú–{‚ÌŒš’z‰Æ‚ÌŒ¾à‚ɂ݂ç‚ê‚é“§–¾«‚Æ‚¢‚¤Œ¾—t‚ɓЉe‚³‚ꂽŒš’z“IŽvli¬‘ꌒŽiA‰–葾LA‘å›Ô—z“¿A‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF- 2App.75-76A2011”N7ŒŽ
Œš’z‰Æ‚ÌŒõ‚ÉŠÖ‚·‚éŽvlƒ‚ƒfƒ‹‚ÆŽÀŒ»‰»Žè–@„Ÿ„ŸŒ»‘ã“ú–{‚ÌŒš’z‰Æ‚ÌŒõ‚ðŽå‘è‚Æ‚µ‚½ÝŒv˜_‚ÉŠÖ‚·‚錤‹† 2i“n糌[‘¾A‘å›Ô—z“¿A‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.73-74A2011”N7ŒŽ
Œš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚éŒõ‚ÉŠÖ‚·‚é”Fޝ„Ÿ„ŸŒ»‘ã“ú–{‚ÌŒš’z‰Æ‚ÌŒõ‚ðŽå‘è‚Æ‚µ‚½ÝŒv˜_‚ÉŠÖ‚·‚錤‹† 1i“n糌[‘¾A‘å›Ô—z“¿A‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.71-72A2011”N7ŒŽ
ƒKƒ‰ƒX‚ðŽå—v•\Œ»‚Æ‚µ‚½Œš’z‚ÌÝŒv˜_‚É‚¨‚¯‚錚’z‰Æ‚Ì‘fÞ”Fޝi‰œŽRMˆêAŠâ蓎qA‰–葾LAŽlƒ–Š‚ŽujA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2A pp.69-70A2011”N7ŒŽ
Œ»‘㌚’zì•i‚̃_ƒCƒAƒOƒ‰ƒ€•\Œ»‚ɂ݂錚’z‚̶¬ƒCƒ[ƒW„Ÿ„Ÿ}–ʂɕ\Œ»‚³‚ꂽ‹óŠÔ}Ž® 3i²“¡ „A‰–葾LAŽlƒ–Š‚ŽuA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.51-52A2011”N7ŒŽ
Œ»‘㌚’zì•i‚̃_ƒCƒAƒOƒ‰ƒ€•\Œ»‚ɂ݂錚’z‚Ì•`‰æŒ`Ž® : }–ʂɕ\Œ»‚³‚ꂽ‹óŠÔ}Ž® 2i²“¡ „A‰–葾LAŽlƒ–Š‚ŽuA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.49-50A2011”N7ŒŽ
Œ»‘ãZ‘îì•i‚É‚¨‚¯‚é\¬–Ê‚Ì«Ž¿‚Ì·ˆÙ‚É‚æ‚éŽåŽº‹óŠÔ‚̈Ӡ•\Œ»i‰œŽRMˆêAŒŽ •àA‰–葾LAˆî—p—²ˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.13-14A2011”N7ŒŽ
Œ»‘ã“ú–{‚ÌŒš’zì•i‚É‚¨‚¯‚éu“¹‹óŠÔv‚ÌÝŒvˆÓ}‚Æ‹óŠÔŒ`Ž®i‚ˆä—˜—mA‰œŽRMˆêA‰–葾LAŽlƒ–Š‚ŽuAˆî—p—²ˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF- 2App.743-744A2010”N7ŒŽ
“sŽsŒ^¤‹ÆŒš’z‚ÌŠOŠÏ•\Œ»‚ɂ݂ç‚ê‚éÛ’¥«„Ÿ„ŸŒ»‘ã“sŽs‚É‚¨‚¯‚錚’z‚Ì•\oŒ`Ž®‚ÉŠÖ‚·‚錤‹†(2)i“c‘º‘å’nA‰–葾LA‰œŽRMˆêAˆî—p—²ˆêAŽlƒ–Š‚ ŽujA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.727-728A2010”N7ŒŽ
“sŽsŒ^¤‹ÆŒš’z‚ÌŠOŠÏ•\Œ»‚ÆŽQÆŒ¾Œê„Ÿ„ŸŒ»‘ã“sŽs‚É‚¨‚¯‚錚’z‚Ì•\oŒ`Ž®‚ÉŠÖ‚·‚錤‹†(1)i“c‘º‘å’nA‰–葾LA‰œŽRMˆêAˆî—p—²ˆêAŽlƒ–Š‚ŽujA“ú –{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.725-726A2010”N7ŒŽ
Z‘îÝŒv˜_‚ɂ݂ç‚ê‚éu” v‚Æ‚¢‚¤Œ¾—t‚ð‚à‚¿‚¢‚½Œš’z“IŽvl„Ÿ„ŸŒš’z‰Æ‚ÌZ‘îÝŒv˜_‚ÉŠÖ‚·‚錤‹†(17)i“à“¡–ƒ”üA‰œŽRMˆêAŽlƒ–Š‚ŽuA‰–葾LAˆî —p—²ˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.723-724A2010”N7ŒŽ
Z‘îÝŒv˜_‚ɂ݂ç‚ê‚éu” v‚Æ‚¢‚¤Œ¾—t‚Ì”Fޝ„Ÿ„ŸŒš’z‰Æ‚ÌZ‘îÝŒv˜_‚ÉŠÖ‚·‚錤‹†(16)i“à“¡–ƒ”üAŽlƒ–Š‚ŽuA‰œŽRMˆêA‰–葾LAˆî—p—²ˆêjA“ú–{ Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2Ap721-722A2010”N7ŒŽ
Œ»‘ã“ú–{‚ÌŒš’z‰Æ‚É‚æ‚鑉ü’zŒš’z‚ÌÝŒv˜_‚ɂ݂ç‚ê‚éqŽžŠÔr‚Ì”Fޝi‘å›Ô—z“¿A‰œŽRMˆêA‰–葾LAˆî—p—²ˆêAŽlƒ–Š‚ŽujA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠT WF-2App.715-716A2010”N7ŒŽ
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Œ»‘㌚’z‰Æ‚ÌCG“®‰æì•i‚ɂ݂é˜A‘±‚ƶ¬‚Ì•\Œ»i‰œŽRMˆêA—Ñ —T“ñA‰–葾LAˆî—p —²ˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.691-692A2010”N7ŒŽ
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