shiozaki taishin - profile/log@@shiozaki.t.f5df
(a) m.isct.ac.jp
|@ architect, atelierco
@
@@www.atelierco.net
|@ assoc.professor, shiozaki
laboratory, sciencetokyo @
@@http://shiozaki.main.jp/lab
|@
@http://shiozaki.hatenablog.jp@
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photo credit
@tom tit toque (2024): chika
kato, gottingam,
jumpei suzuki
|@ pithouse in kikuna (2021): jumpei suzuki
|@ house in kamiikebukuro (2021): jumpei suzuki, chika
kato
|@ gohira house (2020): jumpei suzuki
|@ shimashima (2019): ioto yamaguchi
|@ brasshouse (2019):
jumpei suzuki
|@ 100 year lasting earthern floor
(2018): jumpei suzuki
|@ la cienega and cafe,
patapata, wakuwaku
(2018): ioto yamaguchi, mayumi ito
|@ four column house
(2018): jumpei suzuki
|@ pavilion r
(2015)
: jumpei suzuki
|@ bookstand (2014):
shiozaki taishin
|@ table (2014):
shiozaki taishin
|@ longhouse
(2014): jumpei suzuki, ioto
yamaguchi, shiozaki taishin
|@ house
on the hill (2011):
takashi shikasho, shintaro
nogami, saki maeda, shiozaki taishin
|@
works and projects
2025@project s
<shop & hotel>
2025@tom tit toque, tokyo, japan
<residential>
2024@twins of house k, japan
<unbuilt, residential>
2024@
project h, tokyo, japan
<residential>
2024@
project k, kanagawa, japan
<residential>
2023@
project e, kanagawa, japan
<public>
2023@tokyotech w6, tokyo, japan
<public>
2023@reststop yochien,
chiba, japan
<public>
2022@project o, tokyo, japan
<residential>
2021@pithouse in kikuna,
kanagawa, japan
<renovation of house>
2021@house in kamiikebukuro,
tokyo, japan
<residential>
2020@gohira house, tokyo, japan
<residential>
2019@shimashima <furniture>
2019@ project T,
Japan <Residential>
2018@house in akiyoshidai project, yamaguchi, japan
<renovation of house>
2018@
project k, gunma, japan
<renovation of house>
2018@house in nikko
project, tochigi, japan
<residential>
2018@brass house, tokyo, japan
<residential>
2018@100-Year-Lasting Earthen Floor,
Kanagawa,
Japan
<Renovation of House>
2018@La Cienega and Cafe
<commercial interior and furniture>
2018@four column house, toshima-ku tokyo, japan
<residential>
2018@pithouse
in kikuna project <renovation of
house>
2017@proposal
project kiso<public>
2017@project
house in oyamadai <residential>
2017@proposal
project iyo <residential>
2017@proposal
project parking area <Public>
2014
@
book stand, Power
Station of Art, Shanghai, China <Furniture>
2014@
table, Power Station of Art, Shanghai, China <Furniture>
2013@longhouse, suzaka-shi nagano, japan
<residential>
2013
@beez ginza<Interior>
2012@house on the hill, kanagawa, Japan
<Residential>
2012@house on the corner, tokyo
<Residential>
2010@History of the Earth
Exhibition Room, Tokyo Tech Museum, Good Design Award 2010
<public>
2010@kazuo shinohara exhibition room, tokyo tech museum, good design
award 2010 <public>
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academic papers (peer reviewed papers)
Taishin Shiozaki: Framework of Terminology of
Contemporary Japanese
Architects, Tokyo Tech, 2008
Kohei Iwashita, Taishin Shiozaki: “Œ‹ž‚ÌŽÊ^•t‚«“¹ˆÄ“à‚É‚¨‚¯‚é“sŽs‹óŠÔƒCƒ[ƒWA“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WAVol.90ANo. 837App. 2025”N11ŒŽ
YU ZiliangATaishin SHIOZAKIFTHE
OVERLAPPING BETWEEN
INSIDE AND OUTSIDE BY ARRANGEME NT OF LINEAR ELEMENTS IN
CONTEMPORARY
JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER 1970(THE
OVERLAPPING BETWEEN INSIDE AND OUTSIDE BY ARRANGEMENT OF LINEAR
ELEMENTS IN CONTEMPORARY JAPANESEA“ú–{Œš’zŠw‰ïŒv‰æ
Œn˜_•¶WAVol. 88ANo. 808A
pp. 2018-2028A2023”N6ŒŽ
Hirotaka SUGISAKIATaishin SHIOZAKIFŒ»
‘ãZ‘îì•i‚É‚¨‚¯‚éFʂ̎QÆŠÖŒW‚Æ”zFˆÓ}A“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WAVol.
88ANo. 808A
pp. 2029-2038A2023”N6ŒŽ
Volodymyr DEREZNICHENKO, Taishin
SHIOZAKI: RENOVATION
PROJECT OF ONE CAPSULE IN NAKAGIN CAPSULE TOWER(RENOVATION PROJECT OF
ONE CAPSULE IN NAKAGIN CAPSULE TOWER)A“ú–{Œš’zŠw‰ï‹Zp•ñWAvol. 69,
pp.1015-1019, 2022.6
Volodymyr DEREZNICHENKO, Taishin
SHIOZAKI: CONCEPT AND PHYSICAL CHARACTERISTICS OF CAPSULE ARCHITECTURE,
J. Archit. Plann., AIJ, Vol. 86, No. 784, 1783-1791, 2021.6.
Takashi SHIKASHO, Tenshin
YOKOYAMA, Taishin
SHIOZAKI, Shin-ichi OKUYAMA: DESIGN
THEME IN HOUSES WITH ROOF GARDEN BY CONTEMPORARY JAPANESE ARCHITECTS,
J.Archit. Plann., AIJ, Vol.80,
No.718, pp.2833-2841, 2015.
Taishin
SHIOZAKI, Asami NAITO, Takashi SHIKASHO, Shin-ichi OKUYAMA: A STUDY ON
THE FRAMEWORK OF ARCHITECTURAL THOUGHTS WITH THE WORD"BOX" AS A DESIGN
THEME OF CONTEMPORARY JAPANESE HOUSES,
J.Archit. Plann., AIJ, Vol.80,
No.717, pp.2503-2511, 2015.11
Yohei HASEGAWA, Takashi SHIKASHO, Taishin SHIOZAKI,
Shin-ichi OKUYAMA: Relationship Between Structure and Ceiling Surfaces
of Large Span Buildings by Contemporary Japanese Architects,
J.Archit. Plann., AIJ, Vol.80,
No.716, pp.2211-2219, 2015.10
Koichi ENDO, Taishin SHIOZAKI, Shin-ichi OKUYAMA:
Relationship Between
The Boundary of Site and the Outline of Plan in Contemporary Japanese
Houses Located on the Irregular Shaped Site -- A Study on the
Correspondence of Architecture to the Site, J.Archit.
Plann., AIJ, Vol.80,
No.709, pp579-589, 2015.3
Ryuichi INAMOCHI, Ayako UEHARA, Taishin SHIOZAKI: Urban
Space as
Determined by the Complexity of Multi-layered Spaces Surrounding
Station Buildings in Central Tokyo, J.Archit. Plann., AIJ, Vol.78,
No.694, pp2499-2506, 2013.12
Takashi SHIKASHO, Taishin SHIOZAKI, Shin-ichi OKUYAMA: Design Theme in
Houses with Piloti by Contemporary Japanese Architects, J.Archit.
Plann., AIJ, Vol.78, No.684, pp355-364, 2013.2
Takashi SHIKASHO, Taishin SHIOZAKI, Shin-ichi OKUYAMA: Design Theme in
Houses with Unified Floor Plan by Contemporary Japanese Architects -- A
study on contemporary design theories of houses with the spatial theme
of Modernist Architecture, J.Archit. Plann., AIJ, Vol.77, No.677,
pp1617-1624, 2012.7
Taishin SHIOZAKI, Shin-ichi OKUYAMA: Original Phrases Including eSpacef
in Design Theories by Contemporary Japanese Architects -- A study on
the context and the form of the thoughts on architectural design by
contrast with 'space', J.Archit. Plann., AIJ, Vol.73, No.633,
pp2333-2340, 2008.11
Taishin SHIOZAKI, Yoichiro YAMAMOTO, Shin-ichi OKUYAMAFDesign Concept
of Scale in Design Theories by Contemporary Japanese Architects -- A
study on the context and the form of architectural thoughts with a
point of view of scale, J.Archit. Plann., AIJ, Vol.75, No.651,
pp1087-1095, 2010.5
Taishin SHIOZAKI, Toshiaki NAKAJIMA, Shin-ichi OKUYAMAFGeometrical
Figures in Design Theories by Contemporary Japanese Architects -- A
study on the context and the form of architectural thoughts with
geometrical figures, J.Archit. Plann., AIJ, No.615, pp53-60, 2007.5
Taishin SHIOZAKI, Shin-ichi OKUYAMAFDual Concepts in Design Theories by
Contemporary Japanese Architects -- A study on the context and form of
architectural thoughts with the contrast, J.Archit. Plann., AIJ,
No.610, pp79-86, 2006.12
Daisuke TANIKAWA, Taishin SHIOZAKI, Shin-ichi OKUYAMAFThoughts on City
from the point of view of the Exterior Expression of Building in Design
Theories on Commercial Buildings in gSHINKENCHIKUh after World War,
J.Archit. Plann., AIJ, No.600, pp57-64, 2006.2
publications, articles, and lectures
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CViEnglishj„«@1976
Born in Japan / 2000 Graduated from Tokyo Tech /
2001-02 TUDelft, The Netherlands / 2003 Graduated from Tokyo Tech
Graduate School / 2009 Dr. (Eng.) at Tokyo Tech / 2015- Established
Atelierco with Saeco KOBAYASHI/ 2016- Assoc. Prof. at Tokyo Tech /
Awards: SD Review 2018, Good Design Award 2010 / Selected Architectural
Works
qHouse in Komagomer2018,qHouse
in Otsukar2018, qLa
cienega and
Cafer2018,qLonghouse
in Suzakar2013,qhouse on the hillr2012,
qhouse on the cornerr2012, etc. / Furniture works:qpata
patar,
qwaku wakur, etc. /
Publications: gResponse toeDrifting Modernismfh(co-author, 2015,
Sayusha) , gJA93 Kazuo Shinoharah(coeditor, 2014, Shinkenchiku-sha),
gDictionary for Architectural Theoriesh(co-author, 2008, JIA)
CViEnglishj„«@Architect,
running atelierco in Tokyo with Saeco Kobayashi. Associate
Professor at ScienceTokyo (TokyoTech). Born in 1976,
graduated from TokyoTech (Dr.Eng. 2009). 2001-02
TUDelft, The Netherlands. Co-editing
"JA93 Kazuo Shinoharah, g2G Kazuo Shinoharah etc. Co-curating
exhibition gModernNext Kazuo Shinoharah at Harvard GSD, 2019. Awards:
Japan Wood Design Award 2020, SD Review 2018
Žå‚ÈŽóÜ
E“ú–{Œš’z‰Æ‹¦‰ï—DGŒš’z‘Ii2024”NA“Œ‹žH‹Æ‘åŠw¼‚U†ŠÙA‹v•ÄÝŒv‚Ù‚©‚Æ‹¦“j
Earchi-neering design award“üÜi2024”NA“¹‚̉w•Û“c¬•‘®‚悤‚¿‚¦‚ñAEAA‚Æ‹¦“j
E“ú–{Œš’zŠw‰ïì•i‘IWi2024”NA‹e–¼ŠL’Ë‚ÌZ‘îj
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E“Œ‹žH‹Æ‘åŠw•½¬26”N“xHŒnŽáŽè§—ãÜi2014”Nj
EƒOƒbƒhƒfƒUƒCƒ“Üi2010”NA‰““¡Nˆê‚Æ‹¦“j
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//www.town.nakai.kanagawa.jp/soshiki/shogaigakushukashogaigakushuhan/kakushushinsei_boshu/3321.html
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—] ˆ²—ÀA‰–è ‘¾LFTHE ADDITIONAL ELEMENTS BREAKING THE
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Œn˜_•¶WAVol. ANo. 828A
pp. 326-337A2025”N2ŒŽ
—] ˆ²—ÀA‰–è ‘¾LFTHE OVERLAPPING BETWEEN
INSIDE AND OUTSIDE BY ARRANGEMENT OF LINEAR ELEMENTS IN CONTEMPORARY
JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER 1970A“ú–{Œš’zŠw‰ïŒv‰æ
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Volodymyr DEREZNICHENKO, Taishin SHIOZAKIFCONCEPT
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18YSEP„«Study
for a color
use in architectureiAntoine
GuillaumejTokyoTech Research Project
Summaries, pp.89-92, 2018.8
‚RŠú IGP„«The Spatial Composition in
Multi-Generation Family In Typical Chinise Traditional Residence
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Overlapping Elements Breaking the Indoor-Outdoor-Enclosure in
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ADDITIONAL ELEMENTS BREAKING THE INDOOR-OUTDOOR ENCLOSURE IN
CONTEMPORARY JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER
1970i—] ˆ²—À / ‰–è ‘¾Lj“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WAVol. ANo. 828A
pp. 326-337A2025”N‚QŒŽ
‚QŠú¸“Ç„«THE OVERLAPPING BETWEEN
INSIDE AND OUTSIDE BY ARRANGEMENT OF LINEAR ELEMENTS IN CONTEMPORARY
JAPANESE URBAN HOUSES PUBLISHED IN gSHINKENCHIKUh AFTER 1970Ai—] ˆ²—À / ‰–è ‘¾Lj“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶WAVol. ANo. 808A
pp. 2018-2028A2023”N6ŒŽ
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‚RŠú IGP„«The "Externality" of Internal Space in
Contemporary Japanese HousesiYU Ziliangj2020
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17YSEP„«Architects
as mediator for participatory
processiJuliette OutrebonjTokyoTech
Research Project Summaries, pp.75-78, 2017.8
‚QŠú IGP„«Study on the Overlapping Space
between Elderly Housing and Attached FunctionsiJI
Yuxinj2020”N“x“Œ‹žH‹Æ‘åŠwŒš’zŠwŒn@‰–茤‹†ŽºCŽm˜_•¶
‚QŠú”Ž˜_„«Applicability, Changeability and Inhabitability in
the Concept of Capsule Architectureiƒ”ƒH
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‚ÌŽÀ‘ÔiCONCEPT OF CHANGEABILITY OF CAPSULE
ARCHITECTURE AND ACTUAL RENOVATIONjiƒ”ƒHƒƒfƒB[
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798†App. 1576-1583A2022”N8ŒŽ
‚QŠú¸“Ç„«RENOVATION
PROJECT OF ONE CAPSULE IN NAKAGIN CAPSULE
TOWERi’†‹âƒJƒvƒZƒ‹ƒ^ƒ[ƒrƒ‹‚̃JƒvƒZƒ‹EƒŠƒmƒx[ƒVƒ‡ƒ“Ž–—áji
Volodymyr DEREZNICHENKO, Taishin SHIOZAKIjAIJ
J. Technol. Des. Vol. 28, No.69,
1015-1019, Jun., 2022i“ú–{Œš’zŠw‰ï‹Zp•ñWA‘æ28ŠªA‘æ69
†App. 1015-1019A2022 ”N6ŒŽj
‚QŠú¸“Ç„«CONCEPT AND PHYSICAL
CHARACTERISTICS OF CAPSULE ARCHITECTUREiƒJ
ƒvƒZƒ‹Œš’z‚É‚¨‚¯‚éÝŒvŽå‘è‚ÆŽÀ‘Ì“I“Á’¥ji
Volodymyr DEREZNICHENKO, Taishin SHIOZAKIjJ.
Archit. Plann., AIJ, Vol. 86, No. 784, 1783-1791, Jun.,
2021i“ú–{Œš’zŠw‰ïŒv‰æŒn˜_•¶W ‘æ86Šª ‘æ784†, 1783-1791C2021”N6ŒŽj
‚QŠú IGP„«Concept of Capsule
Architecture and Means of its RenovationiDEREZNICHENKO
Volodymyrj2019”N“x“Œ‹žH‹Æ‘åŠwŒš’zŠwŒn@‰–茤‹†ŽºCŽm˜_•¶
‚QŠú IGP„«Study on Cinematic
Expression to Courtyard Spaces of Chinese Housing Architecture
in FilmsiCHE Jinj2019
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“Œ‹ž‚Ì•úŽËó“S“¹˜Hü‚ÌŽÔ‘‹ŒiŠÏ‚É‚¨‚¯‚é“sŽs‚Ì‹«ŠEi—ÑPŽ‹A—é–Ø~•½AŒŽ•àA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠT
WF-2App.313-314A2014”N9ŒŽ
Œš’zê–厂ɂ¨‚¯‚铌“ú–{‘åkЊ֘A‚Ì“ÁW“à—ei“c’†_‰îA‰–葾LA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2A
pp.131-132A2013”N8ŒŽ
“Œ“ú–{‘åkЊ֘A‚ÌŒ¾à‚ɂ݂錚’z‰Æ‚̎Љï“I–ðŠ„i“c’†_‰îA‰–葾LA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2A
pp.133-134A2013”N8ŒŽ
ŠCŠO—·sƒKƒCƒhƒuƒbƒN‚Ì’n}‚ɂ݂ç‚ê‚é“sŽs‚ÌŠK‘w“I«Ši„Ÿ„Ÿ’n}‚É•\Œ»‚³‚ê‚é“sŽsƒCƒ[ƒW‚ÉŠÖ‚·‚錤‹†i3ji‹àX–ƒ‹IAŒŽ
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ŠCŠO—·sƒKƒCƒhƒuƒbƒN‚Ì’n}‚ɂ݂ç‚ê‚é“sŽs‚̗̈æ“IƒCƒ[ƒW„Ÿ„Ÿ’n}‚É•\Œ»‚³‚ê‚é“sŽsƒCƒ[ƒW‚ÉŠÖ‚·‚錤‹†i4ji‹àX–ƒ‹IAŒŽ
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“Œ‹ž‚ð•‘‘ä‚Æ‚µ‚½—¬s‰Ì‚̉̎Œ‚É‚¨‚¯‚é”wŒi•`ŽÊ‚Æ“oê—v‘f„Ÿ„Ÿ—¬s‰Ì‚ɂ݂é“sŽsƒCƒ[ƒWŒ`¬‚ÉŠÖ‚·‚錤‹†@‚»‚Ì‚Pi‘׉i–ƒŠóA‘O“c
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“Œ‹ž‚ð•‘‘ä‚Æ‚µ‚½—¬s‰Ì‚̉̎Œ‚ɂ݂é“sŽs‚Ì‹óŠÔ“IƒCƒ[ƒW„Ÿ„Ÿ—¬s‰Ì‚ɂ݂é“sŽsƒCƒ[ƒWŒ`¬‚ÉŠÖ‚·‚錤‹†i‘׉i–ƒŠóA‘O“c
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”Ž•¨ŠÙŒš’z‚É‚¨‚¯‚錚’z‰Æ‚ÌŒ¾à‚ɂ݂é˜A½‚·‚é‹óŠÔ‚Ì–§“xi‰œŽRMˆêA‹g’r—tŽqA‰–葾LA‘å›Ô—z“¿AŒŽ•àA—é–Ø~•½jA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF
-2App.111-112A2013”N8ŒŽ
ŠCŠOŒš’zì•i‚ÌÝŒv˜_‚É‚¨‚¯‚錻‘ã“ú–{‚ÌŒš’z‰Æ‚ÌÝŒvª‹’„Ÿ„ŸƒOƒ[ƒoƒ‹ŽÐ‰ï‚É‚¨‚¯‚錚’z‰Æ‚ÌÝŒvŽp¨‚ÉŠÖ‚·‚錤‹†i1jiŠÛŽq—ElA‘å›Ô—z“¿AŽlƒ–Š‚
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ŠCŠOŒš’zì•i‚ÌÝŒvª‹’‚É‚¨‚¯‚éŽQƂ̑ԓx„Ÿ„ŸƒOƒ[ƒoƒ‹ŽÐ‰ï‚É‚¨‚¯‚錚’z‰Æ‚ÌÝŒvŽp¨‚ÉŠÖ‚·‚錤‹†i2jiŠÛŽq—ElA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LA
‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.109-110A2013”N8ŒŽ
‘å‹óŠÔŒš’z‚Ì•¢‚¢‚ÌÝ’u‚ÉŠÖ‚·‚錚’z‰Æ‚ÌÝŒvˆÓ}„Ÿ„ŸŒ»‘ã“ú–{‚ÌŒš’z‰Æ‚É‚æ‚é‘å‹óŠÔŒš’z‚ÌÝŒv˜_‚ÉŠÖ‚·‚錤‹†i1ji’†‘º‹`lAŽlƒ–Š‚ŽuA‘å›Ô—z“¿A‰–
葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.99-100A2013”N8ŒŽ
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¶–½‘Ì‚ð‘èÞ‚Æ‚µ‚½ÝŒv˜_‚ɂ݂éŽQƂ̓à—e„Ÿ„ŸŒš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚é—Þ„“IŽvl‚ÉŠÖ‚·‚錤‹†
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(2)i‘å‹v’׳‹PA‘å›Ô—z“¿AŽlƒ–Š‚ŽuA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.621-622A2012”N9ŒŽ
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ŠÏŒõƒpƒ“ƒtƒŒƒbƒg‚ɂ݂éu¬]ŒËv‚ðŒf‚°‚éŠX‚̃Cƒ[ƒW„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹† (4)iŒŽ
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‰¼‘z‹óŠÔ‚ð‘èÞ‚Æ‚µ‚½SF‰f‰æ‚ɂ݂éî•ñ‰»ŽÐ‰ï‚É‚¨‚¯‚ég‘Ì‘œi—é–Ø~•½A‘å›Ô—z“¿A‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2A
pp.611-612A2012”N9ŒŽ
Z‘î“àŠÏŽÊ^‚É‚¨‚¯‚é•Ç–Ê‚Ì\¬‚©‚ç‚Ý‚½‹óŠÔ‚̉œs«„Ÿ„ŸŒš’z‹óŠÔ‚̃Cƒ[ƒWŒ`¬‚ÉŠÖ‚í‚é˜g‘g‚ÌŒ¤‹†
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Œ»‘ã“ú–{‚ÌŒš’z‰Æ‚ÌŒ¾à‚ɂ݂ç‚ê‚éu”’v‚Æ‚¢‚¤Œ¾—t‚ɓЉe‚³‚ꂽŒš’z“IŽvli‘å’Ë
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Œ»‘ã“ú–{‚ÌŒš’z‰Æ‚É‚æ‚éƒCƒ“ƒXƒ^ƒŒ[ƒVƒ‡ƒ“‚Ì‘nìˆÓ‹`i‘º•”
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ƒEƒFƒuƒTƒCƒg‚ɂ݂ç‚ê‚é‹âÀ¤“XŠX‚̉¿’l\‘¢„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹†
2i’†ŽR—YˆêAˆî—p—²ˆêA‰–葾LA‰œŽRMˆêjA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.99-100A2011”N7ŒŽ
‹âÀ¤“XŠX‚̃EƒFƒuƒTƒCƒg‚ɂ݂ç‚ê‚錾Œê•\Œ»„Ÿ„ŸêŠ‚ÌƒCƒ[ƒW‚̉¿’lŒ`¬‚ÉŠÖ‚·‚錤‹†
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ˆÍ‚܂ꂽŠO•”‹óŠÔ‚ð‚à‚¤‹ÆŒš’zì•i‚ÌÝŒv˜_‚É‚¨‚¯‚é“sŽsƒCƒ[ƒWi‹à
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‘å‹óŠÔŒš’z‚Ì•¢‚¢‚ɑ΂·‚錚’z‰Æ‚̃AƒiƒƒW[•\Œ»i‰œŽRMˆêA’†‘º‹`lA‰–葾LA‘å›Ô—z“¿jA“ú–{Œš’zŠw‰ïŠwpu‰‰[ŠTWF-2App.91-92A
2011”N7ŒŽ
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2App.75-76A2011”N7ŒŽ
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Œš’z‰Æ‚ÌÝŒv˜_‚É‚¨‚¯‚éŒõ‚ÉŠÖ‚·‚é”Fޝ„Ÿ„ŸŒ»‘ã“ú–{‚ÌŒš’z‰Æ‚ÌŒõ‚ðŽå‘è‚Æ‚µ‚½ÝŒv˜_‚ÉŠÖ‚·‚錤‹†
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pp.69-70A2011”N7ŒŽ
Œ»‘㌚’zì•i‚̃_ƒCƒAƒOƒ‰ƒ€•\Œ»‚ɂ݂錚’z‚̶¬ƒCƒ[ƒW„Ÿ„Ÿ}–ʂɕ\Œ»‚³‚ꂽ‹óŠÔ}Ž® 3i²“¡
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Œ»‘ãZ‘îì•i‚É‚¨‚¯‚é\¬–Ê‚Ì«Ž¿‚Ì·ˆÙ‚É‚æ‚éŽåŽº‹óŠÔ‚ÌˆÓ •\Œ»i‰œŽRMˆêAŒŽ
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2App.743-744A2010”N7ŒŽ
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